![]() Most of the working consists of labelling and entering numbers, but once done it is rock solid. 8dio.productions - 8Dio Claire Flute Virtuoso: 'Trills and Runs' by Colin OMalley. 8dio.productions - 8Dio Claire Flute Virtuoso: 'Sustains' by Colin OMalley. 8 8Dio Claire Flute Virtuoso: 'Arcs' by Colin OMalley. They are all stored in my autoload and thus available to all sessions.Īdding a new device is takes about 2 hours for the basic functionality and another 2 hours for the extra functionality. Steampipe 2 from the reaktor library (NI) can do all kinds of different flute sounds. Adding new devicesĬurrently there’s about 45 templates ready to use (see list below). This greatly expands the sound pallette, and produces a new and fast way of programming new sounds. Extra functionalityĬurrent I have designed patch randomizers, normalizers and macros for each synth. You can even design features and shortcuts that are not available on the plugin itself. The environment editor needs to be adapted for plugins you want to use, but once done you can achieve fine control and excellent results. ![]() 6 of those gives you 96 real-time parameters to fool around with, which is sufficient to get detailed control of most synths and plugins. Korg Nanocontrol 2s are used as hardware controllers for their tiny footprint. To deal with this, I started working on a Generic Plugin Editor interface in the Logic environment, so that all plugins can be operated in a simllar and familiar manner. Logic’s built-in Channel Strip functionality is practical but limited and must be reconfigured for every channel strip. Existing generic controllers (Novation Automaps, Mackie Controls etc) are helpful, but often with a confusing adaptation and limited functionality. ![]() A plethora of VST/AU soft synths and effects, all with different user interfaces, that forces you to adapt your working style to every new plugin you use. Generic Plugin Editor for Logic Pro X Environment
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